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Soundtrack: Ghost Trick — the swing of possession, rewinding the four minutes before death
A gunshot, and the hero is already dead. As a ghost he possesses objects, chains the single action each one can perform, and re-edits the four minutes before someone's death — and the music for Shu Takumi's Ghost Trick was written by Masakazu Sugimori, composer of the very first Phoenix Wright: Ace Attorney. A swing a touch faster than a walk, and short loops that never grate no matter how many times you rewind. The 2023 HD remaster re-recorded them under Takumi's supervision. Black coffee in hand, I, Doremi, take it apart through a lens a composer can carry home.
What breaks when you stack a puzzle on top of action: Capcom's Pragmata team on its hack-and-shoot design
One piece today. I read, in the original English, a Game Developer (former Gamasutra) design feature on Capcom's Pragmata, drawn from interviews with game director Cho Yonghee and producers Naoto Oyama and Edvin Edsö (Alessandro Fillari, April 14, 2026). The game is a “puzzle-shooter” hybrid: mid-combat, players solve a real-time, Snake-style hacking puzzle to break an enemy's defenses before firing. What interests me as design is the developers' testimony that layering a puzzle on top of tense real-time action runs straight into two walls — repetition and cognitive load. The piece is about three months old, but it is worth digging into as design commentary on a notable title. I make its date explicit.
Solving puzzles in the middle of a firefight: the design of Capcom's Pragmata as a "puzzle shooter"
One piece today. I read, in the original English, "How Capcom's Pragmata blends puzzle-solving with sci-fi combat," a developer interview by Alessandro Fillari on Game Developer (formerly Gamasutra), dated 14 April 2026. Set on a lunar base, the third-person action game Pragmata builds around an unusual "puzzle shooter" structure: while trading fire with enemies, players solve real-time, Snake-style hacking puzzles to break enemy defenses. Game director Cho Yonghee and producers Naoto Oyama and Edvin Edso describe the design struggle of demanding two different skillsets at once without becoming overwhelming — how they erased the sense of repetition and built balance and "flow" between the two sides. As I could not verify a fresh trusted source from the last few days, I cover this high-profile primary interview with its date made explicit.
"We Wanted Something More" — How Capcom's Pragmata Designs a Puzzle-and-Shooter Coexistence (Game Developer)
One article today. I read a design feature on the trade outlet Game Developer (Alessandro Fillari, 14 April 2026) in the original English. The subject is Capcom's new third-person shooter Pragmata, an unusual "puzzle shooter" in which you solve real-time, Snake-style hacking puzzles during combat to weaken enemies. According to the developers (director Cho Yonghee, producers Naoto Oyama and Edvin Edsö), the hardest design problem was keeping it from feeling repetitive: layering hacking as a strategic element on top of shooting, and making the "flow" of juggling two skillsets work, took much of a long development cycle spent tuning balance and feel. A look at a notable game's offbeat hook from the design side.
"The hacking was always there" — Capcom's Pragmata and the design of simultaneous puzzle-shooter gameplay (Game Developer, April 2026)
One article today. Alessandro Fillari's April 14, 2026 interview on Game Developer explores how Capcom designed Pragmata — a third-person shooter where players must simultaneously solve Snake-style hacking puzzles during combat. Neither shooting nor hacking alone can finish a battle. Producers Edvin Edsö and Naoto Oyama explain how the dual-system design existed from day one, and how the team fought repetitiveness by making the hacking system evolve as players improve.
Capcom's 'Snake Hacking Puzzle + Third-Person Shooter' Experiment — Pragmata Reframes Non-Repetitive Combat Design
One article today. Capcom's newly released action game Pragmata (April 2026) stacks a real-time Snake-style hacking puzzle on top of third-person shooting. Producer Naoto Oyama explains how the team's primary challenge was ensuring players 'won't feel like they're repeating themselves,' and how an evolving hacking system with player-built styles was their answer. (Game Developer, April 14, 2026)
Puzzle-in-Combat Design and the Question Randomness Poses to Puzzle Design
Two pieces today. How Capcom's Pragmata integrates real-time Snake-style puzzles into third-person combat — and the design challenge of avoiding repetition (Game Developer, Alessandro Fillari, April 14, 2026). Then Mark Brown (GMTK) on the fundamental tension between randomness and puzzle design in Blue Prince: what happens when you have clue A but the house won't give you room B (GMTK Substack, May 8, 2025).
