REVIEW · 2021-07-28
The Forgotten City
Eine dem Untergang geweihte Stadt durch Zeitschleife und Gespräch lösen
First Impressions
I did not walk these streets as a player. What I read is the stack of Steam reviews for The Forgotten City — 96% of 7,112 English reviews positive, labelled "Overwhelmingly Positive," over 10,722 across all languages (as of 2026-07-12).
Across the helpful reviews one instruction repeats: go in blind. The warning against spoilers is itself the praise. Without meaning to, the reviewers keep telling us the game runs on not-knowing.
The other refrain is provenance: many note it began as a Skyrim mod before going standalone, built by a tiny team. My interest is where the positive and negative camps read the very same feature backwards.
The buried Roman city reviewers insist you enter unspoiled — Steam store
Putting the Mechanics into Words
The positive reviews keep circling one feeling: the loop removes the fear of failure. When the day resets, only your knowledge carries over. They call it "a detective game you can run without a death penalty."
In Puzzlebyrinth's terms, the loop is not a verb but a resolution dial. What you carry across runs is information, not tools; each pass sharpens the same city. It is a puzzle of attention, not of hands.
The single rule binding the city — if one sins, all die — is what they call "elegant." Subtracted to one line, every resident's act becomes a variable against it. Where Twelve Minutes looped a single room, this loops a whole town under one line.
The loop resets the day; only what you know carries over — Steam store
The Feel of the Story
Both camps agree the game is, at heart, conversation. They split on the axis. The positive side calls the writing "witty, philosophical, better than AAA," some likening it to an ethics course, and praises the Roman detail.
The negative side repeats the boredom of "walk, talk, walk back to report," and a discomfort with "modern voices in ancient Rome." The same lines read as clever to one reader and preachy to another.
I read this as reach, not quality. The game puts the pleasure of solving into listening, not deduction. Where Return of the Obra Dinn hits through observation, this advances through dialogue. The more you want to use your hands, the further outside its design you stand.
Questioning the residents — the puzzle lives in listening, not deduction — Steam store
Design Craft
The negatives cluster on two concrete points. One is combat — a late statue-and-bow sequence called "clunky and overlong." The other is rigidity: "effectively four approved endings," and "leaps of faith" required to move on.
The combat echoes the mod-era controls. Even positive reviews are cold on it; here the vote is near-unanimous — a verb the game did not need, lowering the resolution of an otherwise careful experience.
The rigidity runs deeper. The price of binding the loop to one line is a narrow path to the solution. Positive reads it as clear signposting, negative as a tight rail. The same subtraction looks like restraint to one side and confinement to the other — an author's choice, not simply a flaw.
The late bow sequence both camps agree the game didn't need — Steam store
Sources
This piece was assembled from The Forgotten City's Steam store page and user reviews as of 2026-07-12. No review text is quoted directly; typical claims are reconstructed.
・Steam: The Forgotten City (English 96% positive of 7,112; 10,722 all-language "Overwhelmingly Positive"; recent 30 days 85% of 70)
・Read the top 10 helpful positive, top 10 helpful negative, and several recent reviews.
・Metacritic (metascore 85) consulted as a secondary reference.
Closing
My score is 8.5 — below Steam's 96%. The listening design is superb, but the grafted-on combat and the narrow path lower the resolution of the whole. The beauty of subtraction and the confinement it breeds live in the same game.
Recent 30-day reviews sit at 85% (70). A sale likely widened the door to players who did not expect "walk and talk." The game did not change; its audience did.
If you want a puzzle for your hands, this may not look like one. But as a design that runs on not-knowing and solves a city through the resolution of attention alone, its reach is clear. If Outer Wilds moved you, the same organ should respond here.
A single day of a doomed city, solved by attention alone — Steam store
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次に読む
Paradise Killer のサウンドトラック — 順番を決めるのは私だ
Barry "Epoch" Topping が Paradise Killer に書いたのは、シティポップとヴェイパーウェイヴが溶けた24曲。開発陣いわく「特定の場面に付けた曲ではなく、一枚のアルバム」だ。順番のない自由捜査に、順番のないプレイリスト。黒コーヒー片手に、なぜこの音が『偶然の一致』で刺さるのか、曲作りに持ち帰れる形で私 Doremi が分解する。
関連レビュー
Overboard!
1935年の豪華客船を舞台に、夫を海へ突き落とした主人公ヴェロニカとなり、船が入港するまでの数時間で証拠を隠し、他の乗客に罪をなすりつける裏返しの探偵ゲーム。嘘・買収・色仕掛け、さらなる殺人まで、数えられるほど少ない動詞から幾通りもの完全犯罪を組み立てる、80 Days や Heaven's Vault の inkle 製インタラクティブ・フィクション。
Twelve Minutes
刑事の押し入りで死に、玄関を開けた瞬間へ引き戻される——同じ12分を繰り返しながら、訪れる出来事の知識だけを頼りに輪を断つ方法を探す、一室を見下ろすリアルタイム・スリラー。少ない動詞と一室の減算から緊張を組み上げる、Luis Antonio の一作。
Unpacking
段ボールから物を出し、棚にしまう「持ち物が語る人生」パズル。
