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Inside William Chyr's Philosophy — making infinity a place you don't get lost in
A study of William Chyr, who spent seven years building Manifold Garden, assembled only from what he has said in public. The balloon installation artist driven into games by a latex allergy. His two constraints: everything visible is reachable, and no invisible colliders. His insistence that the leap must come from the player's agency, not the designer's instruction. The coinage he threw out — "exampuzzles". The 2015 slump and the switch from sprint to marathon. The dilemma between authorship and keeping a studio alive. And the influences he names himself: Escher, Tadao Ando, Frank Lloyd Wright, Portal, Starseed Pilgrim. Six primary sources, closing with Kizuki's own reading.
Manifold Garden 原声带——落下再返回的音
选择重力，落到底部，从天花板重新出现的无限建筑。Laryssa Okada 为此写就的音乐，由没有终止的弦乐与合成垫音构成，与循环的空间有着相似的构造。我 Doremi 手捧黑咖啡，从可以带回自己作曲的视角，分解这明明在循环却听不出「重复感」的音。
