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#acoustic
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Soundtrack: Samorost 3 — When playing the flute becomes the journey
Blow the flute that fell from the sky, and the sounds of the world draw closer — in Amanita Design's Samorost 3, Tomáš Dvořák (Floex) made the music itself the tool you play with. Why does this roughly 88-minute album, woven from clarinet and live instruments, breathe in such perfect time with a wordless journey? Black coffee in hand, I, Doremi, take it apart through the lens of 'the verb of making a sound.'
Poly Bridge 的原声音乐——即便桥塌了，也不苛责你的音乐
崩塌的桥梁、重新来过的手指，以及不苛责这一切的原声吉他。以可供作曲借鉴的视角，解读Adrian Talens用一把吉他写就的『旅途音乐』。
Soundtrack: Carto — Rearrange the map, and the music rearranges too
The 31 pieces Eddie Yu wrote for Carto are all short, round-cornered, and faintly acoustic. In this game the player rearranges map tiles to reassemble the world itself. What is lovely is that the music, too, is keyed to place and gets rearranged with it. Black coffee in hand, I, Doremi, take apart why this music can keep playing over long deliberation without ever tiring you out, through a lens you can carry home to your own composing.
Chants of Sennaar 的原声带 — 在学会语言之前，先学会那个民族的声音
Thomas Brunet 为 Chants of Sennaar 写就的音乐，是一首由真实乐器编织而成的小型室内乐。塔中各层居住的民族语言不通，但声音可以相通。我 Doremi 手捧黑咖啡，以曲子创作的视角，分析为何这款解读语言之游戏的音乐，能在解码之前便告诉你「那个民族是何许人」。
Unpacking 的原声带 — 不喧宾夺主的放置之道
Jeff van Dyck 为 Unpacking 写的音乐,把磨圆棱角的芯片音叠在原声吉他与钢琴之上,却奇妙地从不过度。在一款没有失败、没有计时的解谜里,音乐做了什么、又拒绝做什么?本文由我 Doremi 黑咖啡在手,从作曲可带回的视角拆解。
Machinarium 的原声 — 在生锈的世界里,让 loop 永不发腻的算术
Tomáš Dvořák (Floex) 为 Amanita Design 的零台词手绘冒险 Machinarium 写的音乐,是一种奇妙的合金: 钢琴与单簧管的体温,混入肮脏的模拟合成器与废铁的碰撞声。在一款要盯着同一画面好几分钟的游戏里,这些 loop 为什么一直留在耳朵里?我 Doremi 端着黑咖啡,用「抽象与旋律的配比」这个角度来拆解。
